Haunch of Venison, London,

PERSONAL EXHIBITION No 233

'Richard Long: Human Nature'

Haunch of Venison, London

27 May - 20 August 2011

Ground floor, end wall

Both works: 'Untitled, 2010'.

Senate room

'Stone Print Spiral, 2011".
Danish river stones.

Room 1

From left to right:
'Shadow in an Empty Kiln, China 2010, 'Autumn Snowline, Switzerland 2010' and 'Stones Loaded on a Farmer's Friend, China 2010'.

From left to right:
'A Circle in Norway, 2008', 'River Yangtze Stone Line, China 2010'.

'Shadow in an Empty Kiln, China 2010',
photograph and hand written text.

'Stone Print, Spain 2009'.

'River Yangtze Stone Line, China 2010',

Both works: photograph and handwritten text.

'Autumn Snow Line, Switzerland 2010'. 'Stones Loaded onto a Farmer's Friend, China 2010'.
Both works: photograph and handwritten text.

Room 2

All works: 'Untitled'.

'Untitled, 2011' (Resue pole),
black paint, River Avon mud on driftwood.

'Untitled, 2011',
black paint and River Avon mud on wood.

'Untitled, 2008',
white China clay on scrap metal from Niger.

Three of five North African Touareg tent pegs in exhibition,
white China clay,
photos: Xavier Bismuth.

'Untitled, 2006',
white China clay on River Avon driftwood.

Room 3

Framed works on the wall:
'Moon Walk, England 2010', 'Moor Moon, England 2009' and 'Two Continuous Walks Following the Same Line, England 2011'.
Text on the wall:
'Ocean to River, France 2006'.
On the floor:
'North South, 2011'.

'North South, 2011',
white Portland limestoneand black Delabole slate, diameter 720 cm.
The circle is bisected on the magnetic axis.

From left to right:
'Moon Walk, England, 2010' and 'Moor Moon, England 2009'.

'Two Continious Walks Following the Same Line, England 2010'.

Text works on the wall:
'Ocean to River, France 2006'and 'Being at Midday, France 2010'.

Room 4

'Fibonacci Walk, England 2009'
and 'Human Nature, 2011', blue pigment from Yunnan, China, mixed with white China clay, and red clay from Vallauris, France.

'Human Nature, 2011',
1730 x 480 cm.

Photos: John Day.

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